Aesthetics Stimulated by
Technology
Morooka: First, we were able to generate
electricity by painting a picture on glass,
so what's next? In our next brainstorming
session, we considered how to use
this idea to increase the appeal of the
technology. Although there were proposals
for a foldong screen and other items, we
finally decided on
this solar powered
lantern. Oh, what
was it that Ms.
Kimura said? "I
think it should have
texture, and the
feeling of being an
object."
Kimura: Right. It
should be an object
with atmosphere.
The lantern, which
its gentle light, is
expressive and
emotive. The lantern
exudes an air of
naturalness from its very presence, which
I thought would match the characteristics
of the dye-sensitized solar cell. It would
catch sunlight or ambient room lighting and
generate electricity, and then emit light at
night using that electric power. And when
people go to sleep, it would turn off by itself.
Through the process of the brainstorming
sessions, I came to really want to adopt this
concept of natural coexistence with people.
Miki: That idea really grew!
Morooka: If you take a closer look at this
picture, you see that the pictures connect
to one another seamlessly when the panels
are put together. But perhaps Ms. Miki can
explain that better than I can.
Miki: No, you're doing fine. Please,
continue.
Morooka: You wanted to have some sort of
continuity of the pictures projected onto the
surface the lantern is on, right?
Miki: Yes, that's right. I also started with
the idea of tiling, and wondering if there was something that could be done with
these panels lined up together. Wouldn't
it be interesting if they all formed a
connected pattern
and in that state
could generate
electricity? Also
people tend to
have the image
of solar panels
as thick , black
panels mounted
on rooftops. These
solar cells are not
like that, but rather
can be placed
casually in interior
settings; the lantern
encourages you
to use them in your interior spaces. As a
result, what became our long term theme
was that it would be an item that fits in with
interiors, and that could be used flexibly as
a unit.
Morooka: I suppose it's because I have
an engineering background, but I find
the concept of a picture that can go on
infinitely like a fractal to be appealing, and
can understand it. However, when we first
heard the requirement that the panels be
frameless, we saw it as a headache. We
stayed late at the office and agonized over
it. We came up with a lot of ideas, but due
to the need for space for the frame wires
and the strength, the frameless concept
seemed unreasonable at that point. OK, if
that's unreasonable, how about 1.5 mm?
But it turned out not to work. OK, at the
very least give us 3 mm (the current state)
to work with. Please...
Miki: We certainly had a few clashes. We
once spent two hours just discussing this
issue.
Morooka: There were several other
difficult issues that also raised their
heads. The layered coating issue she
mentioned previously was one. We were
asked to position each layer with a 0.1 mm
accuracy. That was really hard. However,
it was not completely impossible. That
made us want to try and achieve it. When engineers from other companies see this
prototype, they quickly realize the heights
of the walls we had to get over. They say "This is something only Sony could do."
Lifestyles which Technology can
Blend into
Kimura: A major point that makes this
technology inspiring to me as a designer
is that something, that has design
characteristics of its own like stained glass,
can itself generate electricity. Design does
not have to be sacrificed for the function.
I think in that purity and honesty lies the
possibility to change the way the world
looks.
Suzuki: A large part of the cost of solar
cells, including silicon solar cells, lies in
the glass used. For this reason, if the glass
can have design value as well, it could
have a large impact in increasing the use
of the panels. Also, when dye-sensitized
solar cells are used to power mobile
devices, those devices must be taken out
and placed in the sun. In creating such a
culture, collaborations with designers will
be necessary. As these devices get closer
to actual use, the number of constraints on
them will increase even further, so we will
need the support from you designers even
more.
Kimura: I think our role as designers is
not limited to just the design aspects, but
also includes viewing technologies from
the standpoint of everyday living and
proposing lifestyles that incorporate those
technologies. Therefore I hope that we can
continue to have such mutually stimulating
relationships with engineers in the future.
Morooka: Yes, I hope we can inspire and
enhance each other's ability through further
collaboration.
Miki: I feel that I have grown through my
experience in this project, and I am thankful
to have had the chance to participate. I
would like to work on even higher level
issues together for the next step.
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